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MEDIA

'Amor', Brentano Lieder op. 68 (Strauss)

Jesús López Blanco, piano. LIFE Victoria, Barcelona
'Amor', Brentano Lieder op. 68 (Strauss)
'Amor', Brentano Lieder op. 68 (Strauss)
01:22
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'Amor', Brentano Lieder op. 68 (Strauss)

Jesús López Blanco, piano. LIFE Victoria, Barcelona
'O zittre nicht', Die Zauberflöte (Mozart)
00:51
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'O zittre nicht', Die Zauberflöte (Mozart)

Jesús López Blanco, piano. Teatro Circo de Albacete
'Me llaman la Primorosa', El barbero de Sevilla (Giménez/Nieto)
00:41
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'Me llaman la Primorosa', El barbero de Sevilla (Giménez/Nieto)

Ricardo Francia, piano. Auditorio de Valleseco
'La Gazzetta', NDR
02:30
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'La Gazzetta', NDR

Norddeutscher Rundfunk. Hamburg.
'Les oiseaux dans la charmille', Les contes d'Hoffmann (Offenbach)
00:38
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'Les oiseaux dans la charmille', Les contes d'Hoffmann (Offenbach)

Jesús López Blanco, piano. Teatro Circo de Albacete
'Canción del Ruiseñor', Doña Francisquita (Vives)
01:08
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'Canción del Ruiseñor', Doña Francisquita (Vives)

Ricardo Francia, piano. Auditorio de Valleseco
'Nous avons en tête une affaire', Carmen (Bizet)
00:50
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'Nous avons en tête une affaire', Carmen (Bizet)

Orquesta Gaos, Jacopo Sipari. Ópera Fuerteventura
'El fervor de los Gallegos' (Gómez Camargo)
01:48
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'El fervor de los Gallegos' (Gómez Camargo)

Vox Stellae. Santuario da Virxe da Barca, Muxía.
"Cecilia Rodríguez-Morán drove Richard Strauss' 'Zerbinetta's aria' in an easy and light manner to dizzying heights."
/ /  Holsteinischer Courier

"Cecilia Rodríguez-Morán, with her voice and delightfully fluent coloratura plus a few bitchy quirks, was unbeatable."

/  Ihr Opernratgeber

"The 'Jesu, komm' in meine Seele' was shaped by Cecilia Rodríguez-Morán with a clear, vibrato-rich soprano voice, that turned the little aria into a radiant event."

 Westfälische Nachrichten

"Cecilia Rodríguez-Morán is a wonderfully lively and playful Lisetta who brings her coloratura to the highest notes with pinpoint accuracy."

 Kultur-Port.de

"Cecilia Rodríguez-Morán plays Lisetta splendidly over the top. Many parents in the audience have sure seen parallels with their teenage daughter."

/  Das Opernmagazin

"In particular, the Spaniard Cecilia Rodríguez-Morán engaged the audience with her humorous interpretation and crystalline treble in Jacques Offenbach's 'Olympia's Aria'."

/ /  Holsteinischer Courier

"Especially outstanding is Cecilia Rodríguez-Morán as Melia, who sings particularly captivating in a pleading duet with her father Oebalus."

 Neue Osnabrücker Zeitung

"The soprano from Tenerife showed an interesting light soprano voice, with a characteristic and attractive vibrato, attributes that suggest that she possesses important qualities and a high potential for growth."

/  Ópera Actual

"Cecilia, who has a well-worked, powerful and sweet voice, together with an impeccable staging, captivated the audience from the first moment, when they received her with warm applause."

 La Voz de Lanzarote

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