MEDIA
'Amor', Brentano Lieder op. 68 (Strauss)
'Amor', Brentano Lieder op. 68 (Strauss)
'O zittre nicht', Die Zauberflöte (Mozart)
'Me llaman la Primorosa', El barbero de Sevilla (Giménez/Nieto)
'La Gazzetta', NDR
'Les oiseaux dans la charmille', Les contes d'Hoffmann (Offenbach)
'Canción del Ruiseñor', Doña Francisquita (Vives)
'Nous avons en tête une affaire', Carmen (Bizet)
'El fervor de los Gallegos' (Gómez Camargo)
"Cecilia Rodríguez-Morán drove Richard Strauss' 'Zerbinetta's aria' in an easy and light manner to dizzying heights."
/ / Holsteinischer Courier
"Cecilia Rodríguez-Morán, with her voice and delightfully fluent coloratura plus a few bitchy quirks, was unbeatable."
/ / Ihr Opernratgeber
"The 'Jesu, komm' in meine Seele' was shaped by Cecilia Rodríguez-Morán with a clear, vibrato-rich soprano voice, that turned the little aria into a radiant event."
/ / Westfälische Nachrichten
"Cecilia Rodríguez-Morán is a wonderfully lively and playful Lisetta who brings her coloratura to the highest notes with pinpoint accuracy."
/ / Kultur-Port.de
"Cecilia Rodríguez-Morán plays Lisetta splendidly over the top. Many parents in the audience have sure seen parallels with their teenage daughter."
/ / Das Opernmagazin
"In particular, the Spaniard Cecilia Rodríguez-Morán engaged the audience with her humorous interpretation and crystalline treble in Jacques Offenbach's 'Olympia's Aria'."
/ / Holsteinischer Courier
"Especially outstanding is Cecilia Rodríguez-Morán as Melia, who sings particularly captivating in a pleading duet with her father Oebalus."
/ / Neue Osnabrücker Zeitung
"The soprano from Tenerife showed an interesting light soprano voice, with a characteristic and attractive vibrato, attributes that suggest that she possesses important qualities and a high potential for growth."
/ / Ópera Actual
"Cecilia, who has a well-worked, powerful and sweet voice, together with an impeccable staging, captivated the audience from the first moment, when they received her with warm applause."
/ / La Voz de Lanzarote